Jane Peterson (1876-1975)
Jane Peterson was an American artist, born Jennie Christine in Elgin, Illinois. She officially changed her name to Jane Peterson in 1909 after her first success as an artist. From her earliest years, Peterson drew from nature and took art lessons at the Elgin Public Schools. In 1895, she went to New York City to study art at the Pratt Institute, and before graduating in 1901 taught painting and became a popular teacher at Pratt. She then became the Drawing Supervisor of Brooklyn Public Schools and studied oil painting with Frank Vincent Dumond, as she saved money to travel abroad to study painting with Frank Brangwyn in London, Jacques Emile Blanche and Andre Hotel in Paris and the eminent Joaquin Sorolla in Madrid.
She became famous for a wide range of works from landscapes to still lifes that blend Impressionist and Expressionist movements. As a woman, her life was much more independent and adventurous than most of her contemporaries, and she traveled widely to paint. Jane Peterson has an individualistic style, with bold color combinations and unique designs, and her canvases intermingle Fauvist and Impressionist tendencies with academic drawing.
Internationally known writer and astronomer Percival Lowell exhibited Peterson’s work in Paris and secured her first one-woman
exhibition in Boston which led to a near sell-out exhibition in New York City. By 1912, Peterson had many rich patrons, and she taught
watercolor painting at the Art Students League in New York City and at the Maryland Institute in Baltimore.
Traveling and painting with Sorolla, Louis Comfort Tiffany, John Singer Sargent, Childe Hassam and Maurice Prendergast, Peterson was in an
influential art entourage and made it evident she could paint with the best of the male painters.
During World War I, Peterson painted war-oriented subjects that were exhibited and sold (or donated) to promote Liberty Loans and the
American Red Cross efforts. In 1924, Peterson’s "Toilette" received rave reviews at the New York Society of Painters and a one-woman show on
Fifth Avenue sold-out. By this time, she had won numerous awards, was a Fellow at the National Academy of Design and a member of many art
clubs including the American Watercolor Society, Audubon Artists, Pen & Brush Club, and the National Association of Women Artists.
In 1925, "The New York Times" characterized Peterson as “one of the foremost women painters in New York.” Known for her colorful,
post-impressionistic paintings of Gloucester streets and harbor on Cape Ann; palm trees along the Florida coast; street scenes in Paris,
Istanbul and New York City; boating views in Venice, Italy and elsewhere, Peterson also painted floral subjects and dynamic
genre-like-portraits. She was given over 80 one-woman exhibitions and was recognized as a uniquely talented painter of distinction before
her death on August 14, 1965.
Notably her work is held in the Metropolitan Museum of Art, National Museum of Women in the Arts and the Museum of the City of New York.
The painting, "Zinnias and Pansies" shows her flamboyantly executed floral subjects. These paintings were acquired from a private collector who purchased them directly from the artist, from her barn in Little Neck, Ipswich, MA in the 1950's. They have never been shown publicly. They are vibrantly fresh and framed in fine contemporary gold-leafed frames.
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Zinnias and Pansies 24" x 30" O/C Ca. 1945 SOLD
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